“Fried’s argument seems to come down to is comically simple. It is that a very big photograph in full color, when hung on the wall, is inherently like a painting, or at least has some of the qualities of a painting.This is absurd.”
Em Livros, Teoria & Fotografia, já mencionara este tomo de Michael Fried, que se vê analisado em The Restless Medium, sob outro ponto de vista algo “crítico”.
